Notes related to Artista Femenina

MAAT presents Plug-in, a solo exhibition by Joana Vasconcelos, bringing together new works, some of the iconic pieces produced by the artist since 2000, and works from the EDP Foundation Art Collection, while establishing a dialogue between electricity heritage, technology, and visual arts.

Tiempo real (Real Time) is an installation by artist Vivian Galban now on view at Fundación Larrivière Fotografía Latinoamericana, curated by Raúl Flores and in association with the Buenos Aires Performance Biennale. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Fuego Amigo, Pía Camil's exhibition at the Museo de Arte Carrillo Gil (MACG), proposes a story without beginning, in a circular form. It is curated by Mauricio Marcin.

War and Peace: A Poetics of Gesture is the exhibition of Beatriz Gonzalez at MUAC (Museo Universitario Arte Contemporáneo), which reviews the artist's work. It is curated by Cuahtémoc Medina and Natalia Gutiérrez.

Cosmogony Nativa (Native Cosmogony) is Lucila Gradín's exhibition at the Museo Marco. It is curated by Eva Grinstein.

Magali Lara: Interior Landscapes is the artist’s exhibition at The James B. Duke House, together with the Institute of Fine Arts, New York University and ISLAA.

Fondazione Prada presents Miranda July: New Society, the first solo museum exhibition of Miranda July’s work from March 7 to October 14, 2024 at the Osservatorio, located at Galleria Vittorio Emanuele II in Milan.

The Center for Art, Research and Alliance’s spring 2024 exhibition presents an intergenerational, feminist dialogue between artists Paloma Contreras Lomas (b. Mexico, 1991) and Ines Doujak (b. Austria, 1959). The show opens March 2 and will remain on view through May 12, 2024.

YoungArts announces 2024 Jorge M. Pérez Award Winner. Diana Eusebio is a Peruvian-Dominican multidisciplinary artist, fashion designer, 2016 YoungArts award winner in Visual Arts and U.S. Presidential Scholar in the Arts.

Argentine multidisciplinary artist Adriana Bustos presents her site-specific project entitled Genealogy of a Collection conceived for Viceversa, an exhibition project celebrating the 60th anniversary of the Museo de Arte Moderno de Bogotá (MAMBO).

Spiral for Shared Dreams is Colombian artist Carolina Caycedo’s exhibition at MoMA, presenting 11 handmade atarrayas, or fishing nets, denouncing the impact of hydroelectrical dams and other infrastructure on water bodies.

Luce dietro tracce incompiute is the textile installation by Mexican artist Mariana Castillo Deball, whose monumental dimensions welcome visitors to the heart of the Museo delle Culture di Milano (MUDEC).

Presented at Tai Kwun Contemporary, Green Snake: women-centred ecologies gather more than 60 works—16 of them new commissions—from 30 artists and collectives in an exhibition that draws on mythologies and world views with women at their heart to explore possibilities for other ecological relationships.

Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.

Magdalena Fernández's Mobile Body Paintings arrived at the Clavijero Cultural Center, in Morelia, to breathe with the Mexican public.

With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.

Extravagances is Portuguese artist Joava Vasconcelos’ largest solo show at Brazil in the Oscar Niemeyer Museum (MON). Curated by Marc Pottier, the exhibition invites the audience to an immersion into the magical world of the artist.

MIAMI

In her practice, Brazilian artist Manoela Medeiros questions artistic media by going beyond their conventional formats, producing paintings and in situ installations that explore the relationships between space, time, and the corporeality of art and of the viewer. Together with Felipe Cohen, they are part of Kubik Gallery’s proposal for Pinta Miami 2023.

MIAMI

ICA Miami presents the first solo museum presentation for New York–based artist Sasha Gordon, Surrogate Self. The surreal paintings and drawings that Gordon creates explore the complexities of bodily experience in gorgeous and hyper-realistic detail.

MIAMI

Laundromat Art Space presented Worlds Behind You, the debut solo exhibition by Miami-based artist Melissa Wallen. Curated by Ray-Anthony Eddie, the presentation comprises several new and recent works from the artist’s ongoing series of dream-like “portal” paintings.

The Jewish Museum will present the first exhibition in the United States of Marta Minujín, a defining force of Latin American art whose trajectory intersected with the major artistic developments of the postwar period while reflecting a singular spirit and vision infused by her sharp intellect, irreverent humor, and performative presence.

MIAMI
Aluna Art Foundation presents three solo exhibitions at MIFA Gallery featuring emerging artists Bella Cardim (Brazil, 1978), Fernanda Froes (Brazil, 1970), and Vero Murphy (Argentina, 1973).

Based on futuristic tales, Guadaloup Vilar created an entire universe where life and art are supported by death. Completely functional to organic and cohesive development, Guadaloup’s artworks and installations reshape the notion of expiration.

Installations, death and futurism coexist in this solo exhibition by the spatial artist Guadaloup Vilar. The Argentine artist presents her works and installations at the Greatorex Street space in London during September and October, within the framework of the Frieze fair.

Montenegro Art Projects (MAP) presented the group exhibition La Fibra del Tiempo (The Fiber of Time), with the participation of Adriana Barrio, Yuli Cadavid, Laura Reneé Maier, Aimé García, Melany Valdés, Ana Milena Gómez and Erika Díaz.

The experience proposed by Martina Servio Olavide is composed of two parts, one that invokes dying and the other, as an organic counterpoint, living. The first, "dying", is represented by a non-naturalistic play, while the second, "living", manifests itself as an exhibition in an art gallery. Through these two dimensions, the artist challenges the viewer to question their understanding of self and others, and to explore a wide range of interpretations.

MIAMI

Aglaé Bassens: Emptiful is the debut solo museum presentation for the Brooklyn-based painter at Institute of Contemporary Art Miami.

The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.

Focused on Black and Indigenous women and non-binary artists, On the edge of visibility – An international Symposium will focus on photographic practices within three broad geographical zones: Latin American, the Caribbean, and the United States.

The Tzitzimime Trilogy consists of three films: Versos de porquería (2021), Soneto de alimañas (2022), and Eclipse (2023) premiering at Casa Encendida.